Take me home Tim Ferguson Tim Ferguson
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Energy and Delight of Youth by Tim Ferguson for ARTOUR-O Florence in association with Art Caffe London (10th to 13th March 2011)

Installation for an exhibition in Florence, Italy. A series of single exposure photos straight from camera (No post-processing: 30 second exposures at ISO 100 and f32) exhibited along with 2 asynchronous stereo audio loops (hence ‘Excerpt, Simulated Mix’ in the title) playing indefinitely through 4 active speakers surrounding the photos. Exhibited in the outside garden of the Villa La Vedetta hotel overlooking Florence.

The theme of the exhibit revolves around childhood memory and play. I worked with photos and sound recordings of my niece and nephew playing on a trampoline in Birmingham, as well as incorporating the sounds recorded during each 30 second exposure around London.

An installation full of contradictions - night-time photos displayed during the day in a sun-lit garden; incongruous photographic subjects captured in a single time and place; the sounds of kids playing, the sounds of heavy traffic; Birmingham, London, Florence; etc. A bit of fun!


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This is my sound installation - In Situ with Alex (Artwork by Alex Noble) - for the “Join” exhibit at the Floor Ten Gallery (Bow, East London):



Original proposal: “It’d be interesting to compose a piece around an exhibiting artist - a casual interview about their work, the soundscape of them at work etc. It would be akin to a third party reviewing the artist’s work, adding a fresh perspective instead of the usual blurb written up by the artist him/herself or gallery curator. I am imagining the piece to be more abstract than lyrical, and open to interpretation. This is not about judgement / critique, more about interpretation and perspectives. Initial thoughts are to run with whatever inspires me about the work / the artist / their studio / the gallery space. It wouldn’t be so much about an actual interview - I would see dialogue being used more like paint to express my own feelings and understandings of the work… It would require an artist willing to participate and have my sound installation exhibited alongside their work. I would also need a few hours access to them / their work / studio for recordings and interviews.”


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My sound installation went live at the Floor Ten Gallery last Saturday. It’s a piece about an artist / his work / his environment and the area surrounding the exhibit. The launch party was awesome! It’s available to view along with works from 10 other artists from 1 to 5pm this Saturday and Sunday.

Here’s my original proposal: “It’d be interesting to compose a piece around an exhibiting artist - a casual interview about their work, the soundscape of them at work etc. It would be akin to a third party reviewing the artist’s work, adding a fresh perspective instead of the usual blurb written up by the artist him/herself or gallery curator. I am imagining the piece to be more abstract than lyrical, and open to interpretation. This is not about judgement / critique, more about interpretation and perspectives. Initial thoughts are to run with whatever inspires me about the work / the artist / their studio / the gallery space. It wouldn’t be so much about an actual interview - I would see dialogue being used more like paint to express my own feelings and understandings of the work… It would require an artist willing to participate and have my sound installation exhibited alongside their work. I would also need a few hours access to them / their work / studio for recordings and interviews.”

My sound installation went live at the Floor Ten Gallery last Saturday. It’s a piece about an artist / his work / his environment and the area surrounding the exhibit. The launch party was awesome! It’s available to view along with works from 10 other artists from 1 to 5pm this Saturday and Sunday.

Here’s my original proposal: “It’d be interesting to compose a piece around an exhibiting artist - a casual interview about their work, the soundscape of them at work etc. It would be akin to a third party reviewing the artist’s work, adding a fresh perspective instead of the usual blurb written up by the artist him/herself or gallery curator. I am imagining the piece to be more abstract than lyrical, and open to interpretation. This is not about judgement / critique, more about interpretation and perspectives. Initial thoughts are to run with whatever inspires me about the work / the artist / their studio / the gallery space. It wouldn’t be so much about an actual interview - I would see dialogue being used more like paint to express my own feelings and understandings of the work… It would require an artist willing to participate and have my sound installation exhibited alongside their work. I would also need a few hours access to them / their work / studio for recordings and interviews.”


Comments (View) : 2 years ago (1 note)

“United Improvements” by Alex Noble. The results of our collaboration. Gaze at this whilst listening to St I ets (1st Draft):

“United Improvements” by Alex Noble. The results of our collaboration. Gaze at this whilst listening to St I ets (1st Draft):


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